You know you’re in trouble when a grand new production of Verdi’s “Aida” only catches fire midway through the second act, ...
This is an archived article and the information in the article may be outdated. Please look at the time stamp on the story to see when it was last updated. If she has the voice of an angel, and the ...
Performances in N.Y.C. Advertisement Supported by Michael Mayer is directing the Met’s first new production of Verdi’s classic in nearly four decades, aiming for something fresh yet enduring. By ...
2 Review: JETTE PARKER ARTISTS: TALES OF LOVE AND LOSS, Royal Ballet And Opera 3 Review: SAMSON ET DALILA, Royal Ballet And Opera Tony Award-winning director Michael Mayer brings a new production of ...
Editor’s note: This is the first in a three-part series of reported commentaries on the future of opera. NEW YORK — It’s a big house. The Metropolitan Opera seats nearly 4,000 people up into its fifth ...
Take your vitamins, folks. There’s something going around. The first indicator was the audience Tuesday night at the Metropolitan Opera, which welcomed the new year with the premiere of Michael ...
If she has the voice of an angel, and the face of an angel, she must be an Angel. Angel Blue, that is. The American soprano, one of the most admired singers of her generation, is headlining the ...
If she has the voice of an angel, and the face of an angel, she must be an Angel. Angel Blue, that is. Recommended Videos The American soprano, one of the most admired singers of her generation, is ...
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