Am I as screwed up as either of the characters in Antichrist if I say I had a blast watching this? Maybe it was the excitement in the air before it started, or maybe it was the combination of the ...

The viewer most-likely has never have seen a horror film as sexually risqué as Antichrist. Powerful and shocking are the words that first come to mind when the credits finally begin rolling for this ...

Reviewing films by Lars von Trier is the world’s easiest task, as most of the critics reviewing Antichrist A world leader in the end times who is revealed as a Satanic agent who wages war at ...

THE movie that scan dalized Cannes 2009 is headed here. “Antichrist,” by the great Dane Lars von Trier, is one of 29 films from 17 countries that will unspool in the main section of the New York Film ...

It’s tempting to respond to Lars von Trier’s “Antichrist” purely as an act of provocation, when it’s really a cry of pain, and as such not fully articulate or comprehensible. Throughout his career, ...

Lars von Trier has a complicated relationship with women. I think it is safe to say that, amid the cries of sexism and misogyny that have accompanied many of his films, von Trier has done himself no ...

Almost all the marketing material we've seen for Lars von Trier's Antichrist so far (photos, posters) has been pretty edgy and probably wouldn't be approved by the MPAA. So for the official UK poster, ...

French conservative values group Promouvoir has won another victory in its crusade against sex and violence on French screens. Lars von Trier’s 2009 drama, Antichrist, which scooped the best actress ...

"Antichrist" Movie Review-- Two years ago, the Danish director Lars von Trier fell into a deep depression. He had something close to a breakdown, he admits. He wrote a script as “therapy,” but found ...

Director Lars von Trier has created a truly pulverizing film with ANTICHRIST. It is full of dread, full of despair. It is a horror film, but it doesn’t rely on easy scares or the cheap theatrics of ...

“Antichrist” feels less like an art house film than a parody of one: Pretentious, meandering, misogynistic and beautifully shot, the latest from Lars von Trier would be considered a provocation if it ...