The Learning Tree. 1969. Gordon Parks I saw this film when I was 18 years old, and Gordon Parks was at that time one of my heroes. So to see a film about his childhood in Kansas was so riveting and ...

Wright not only welcomed this hypothetical migration, he sought to design it. At the 1935 National Alliance of Arts and Industry Exposition at Rockefeller Center, he unveiled a massive, ...

As a young curator at The Museum of Modern Art, I first met Bill Viola in 1974. We both were attending a conference hosted by the Everson Museum of Art, where the young, affable Syracuse University ...

Indigenism, a multifaceted regional movement focused on the defense, rights, and recognition of Indigenous peoples, was a radical artistic proposition that attempted to bring art into political life ...

A relentless explorer, April Greiman has been pushing the boundaries between design, art, and technology for over four decades. Her layered work merges analog and digital, handmade and mechanically ...

Beginning in 1917, the largest room of the apartment that they shared at 3 rue Joseph Bara was turned into a studio for Modigliani. There, the artist was supplied with canvas, paint, and a stipend of ...

Elena Subach is a visual artist and photographer based in Lviv, Ukraine. She is currently researching the legacy of the photographer and filmmaker Yulian Dorosh and Lviv photography from the first ...

Glenn Lowry: Clark called these works "Bichos," or "critters." Connie Butler:: The implication being that these are small beasts or animals or in some way animated and living forms. If you look ...

In this poster mockup referencing Leonardo da Vinci’s painting The Last Supper, Edelson collaged over the faces of Jesus and his disciples with those of her friends and idols, including artists Alma ...

We have identified this work in the following photos from our exhibition history. Félix Fénéon: The Anarchist and the Avant-Garde—From Signac to Matisse and Beyond Aug 27, 2020–Jan 2, 2021 2 other ...

The advent of photography in 1839, when aesthetic experience was firmly rooted in Romanticist tenets of originality, brought into focus the critical role that the copy plays in the perception of art.

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